Hardly Strictly Yankee baseball: Herein I shall bitch and kvetch about baseball, music, movies, the horrors of the writing biz and maybe you...
Saturday, March 9, 2013
A Primer for "A Rose by any Other Name: An Alphabet of Tales About a Man and a Woman"
A is for Allison, I know this world is killing you...
B is for Brooklyn, re-born in a broken land...
C is for Charlotte, who weaves a wicked web...
D is for Dinah and the handsome man heating up her kitchen...
E is for Eve and her Hallowed Night...
F is for Fiona and her shining emeralds...
G is for Gabby who finally sees the new boy...
H is for Hannah who's not sure if she's coming or going...
I is for Ivy -- my how she hangs...
J is for Jane and for cliched letters...
K is for Kat who is the cat's meow...
L is for Lorraine, you don't want to cross her...
M is for Mary, all hail her...
N is for Nina and her Pinto and the Santa Ana winds...
O is for Olive who once was filled, but now is not...
P is for Paige and all those torn last pages...
Q is for Quinn who used to "play" doctor...
R is for Rose and for the one in her hair...
S is for Sally be she in a Mustang or a Buick...
T is for Tiffany who is not as blue as the box she came in...
U is for Ursula who got undressed...
W is for Wendy who doesn't mind waiting...
X is for Xena who never saw the TV show...
Y is for Yolie who wants to get out of here now...
Z is for Zora who gets to be the last girl...
Friday, March 8, 2013
"If you want something done right ... do it yourself" is a pesky old adage. While it's true to some extent in some cases, ultimately it proves a lack of faith in anyone else. But I have to admit it is also at least part of my line in thinking when I turned my back on writing for the screen to concentrate on prose. In writing and publishing a book, I couldn't complain about producers who have purchased my scripts re-writing my work or directors missing the point of the "blue-print" I delivered as a "work-for-hire." Such is life.
When I put my first book, "A Rose by any Other Name: An Alphabet of Tales About a Man and a Woman" out last April, I was able to do do warts 'n all. And sure, there are warts -- there are a bunch of warts (as I have started reading for audiences I notice them more and more and get to revise some of them in the new edition for next month) but they are MY warts.
But the past ten months of trying to get the book out into the world has definitely proven to me that I truly cannot do it all myself. Writing the book was a great exploration and a pleasurable one at that; getting to read some of the tales on the radio, at bookstores and other personal appearances has been a wonderful learning experience especially for someone far more comfortable being "behind the camera," but now I want to turn to "others" for help getting a leg up and the book out.
Today marks the "final fortnight" of the Indiegogo campaign I began for the book a month ago. My desire is to be able to finally send copies of the book out for review, to make personal appearances in the cities where most of the tales take place, to expand that into other cities where I should find friendly faces and to be able to support those appearances with a little ground-support and publicity -- and I can't do myself. Can you assist in making the Rock 'n Rose Spring Book Tour a reality? Read on for details of the campaign and thank you very much.

When I put my first book, "A Rose by any Other Name: An Alphabet of Tales About a Man and a Woman" out last April, I was able to do do warts 'n all. And sure, there are warts -- there are a bunch of warts (as I have started reading for audiences I notice them more and more and get to revise some of them in the new edition for next month) but they are MY warts.
But the past ten months of trying to get the book out into the world has definitely proven to me that I truly cannot do it all myself. Writing the book was a great exploration and a pleasurable one at that; getting to read some of the tales on the radio, at bookstores and other personal appearances has been a wonderful learning experience especially for someone far more comfortable being "behind the camera," but now I want to turn to "others" for help getting a leg up and the book out.
Today marks the "final fortnight" of the Indiegogo campaign I began for the book a month ago. My desire is to be able to finally send copies of the book out for review, to make personal appearances in the cities where most of the tales take place, to expand that into other cities where I should find friendly faces and to be able to support those appearances with a little ground-support and publicity -- and I can't do myself. Can you assist in making the Rock 'n Rose Spring Book Tour a reality? Read on for details of the campaign and thank you very much.
The Rock 'n Rose Book Tour Spring 2013 IndieGoGo Campaign
click HERE to go directly to the page
Short Summary
I
woke up one crisp October morning with a story in my head. This isn't terribly
out of the ordinary, but the form that it was in was totally different. With a
film background (grad of NYU Film School) all the works of fiction that I
created were for the screen.
But
this was a short story and it flowed out onto the page and I thought little
about it until another story burst free, nearly fully formed, and demanded
space on a page. Before none too long, a theme had developed and I wrote the twenty-six
tales that became my first book, "A Rose by any Other Name" although
it took me a number of years to finally push this puppy out of the nest.
The
book was released in April 2012, but immediately after that my time was
demanded toward a greater goal of assisting a dear friend who had been
diagnosed with a terrible disease and while I have been able through direct
sales, Amazon and Kindle to put my stories in front of some sets of eyes, I
hadn't had the opportunity to really present the book to the world.
With
your help, I would like very much to be able to begin to do that this Spring.
What We Need & What You Get
I
am looking to raise $3500.00 to help with the above stated goal. What I would
like to do is to be able to afford to send copies of the book in to
publications and websites for review in an attempt to spread the book beyond my
own wingspan.
Additionally
and perhaps even more importantly, I would like to be able to take the book and
myself on the road and present it to the public in personal appearance and
readings/signings in some of the cities in which the tales take place: Los
Angeles, San Francisco and New York first and foremost.
The
advantages of first bringing "Rose" to those cities in which I have
lived is that hopefully I have something of a built-in audience of friendly
faces. But from a practical stand point, I will be able to keep the costs of
the mini book tour minimal as I will have places to stay and venues at which I
can perform.
But
hopefully visits to those cities will permit me to be able to add more: Boise,
Austin, Seattle, Tel Aviv? You're all on the list.
The
funds would go to airfare but also for publicity to make those appearances
worth while. The money would also permit me finally to purchase and submit
copies of the book for review and PR purposes.
Perks
of contribution will include:
*
grateful acknowledgement in future print and electronic editions of
"Rose"
*
inscribed copies of "Rose"
*
original, hand-written versions of the tales in "Rose"
*
original, signed art-work by Meital from the publication of the tales in the
Jerusalem Post Lite
*
your name as a character in my upcoming work
*
the grand prize: a lifelong promise that I will never use your name in any of
my upcoming work.
The Impact
The
world of self-publishing really is fantastic. Unlike my experiences in the
world of film where there are so many cooks are in the kitchen, I was able to
put "Rose" out into the world - warts 'n all - as I saw fit and in
the manner of my own choosing. That said, getting the book into the hands of
other people has been the ongoing challenge.
Other Ways You Can Help
I
know we get asked to contribute to campaigns such as this all the time and I am
fully conscious of that fact. If you can help - great! I really appreciate it.
If you cannot - great! I understand that fully as well, but if you could share
this with friends who may wish to assist, I would really appreciate your
help.
If
you would like to read some of the tales for free, go here: http://www.wattpad.com/user/BrianMazo
Thanks
for either "coughing" or "squealing" ... or just scroll on
to the next campaign. I sure do appreciate your help.
Brian
Sunday, March 3, 2013
In honor of the Burnal Equinox - that moment in the calendar halfway between the Man becoming ash one year and being set ablaze the next - here is one of the Burning Man-themed stories from my book, "A Rose by any Other Name" entitled "Gabby & the New Boy"
Gabby and the New Boy
Gabby heard the whispering in the
halls of her high school; some of it was intended to be overheard, especially
by the new boy. Teenagers tend to be cruel – and not cruel to be kind. She had
heard he had a few tufts of hot pink in his hair. “Gay” was what they were
saying, but Gabby hadn’t seen him.
Gabby
was pretty, but nobody at her school ever noticed. “Freak” was all she ever
heard, sometimes whispered, sometimes out of the sides of their mouths,
sometimes fully aloud for all to hear, for all to laugh at. She wished she
didn’t care, but she was seventeen after all.
It
was all going to change in about a year’s time. College was going to be
different. She knew this. She only wanted to go to one school in particular.
Her parents had strongly suggested she apply to a backup school. Unbeknownst to
Gabby, her older sister, Brooklyn (named for where she was conceived) had made
a deal with their parents. If Brooklyn could get Gabby to apply to a backup
school, then they would permit Brooklyn to take her to Burning Man that summer.
Gabby had been simply dying to go to Burning Man ever since her older sister
started going a few years back. Gabby could actually taste the dust the way her
sister described it.
The acceptance letter from the backup school,
NYU, had arrived two days ago. Gabby hadn’t slept for those two days,
envisioning cold, wet, gray days, necessitating the wearing of shoes. Maybe if
her head weren’t in the clouds, she might have noticed the new boy, but it was
and she didn’t.
Gabby was
staring down at her black-and-white striped Hello KittyÔ pirate
socks, praying to her personal goddesses that today might be the day that
Berkeley deemed her worthy.
Her high
school’s dress code demanded that socks be worn at all times. She conformed to
that regulation, but Gabby found a loophole: It said nothing about shoes. She
hadn’t worn any for the entire school year. Her parents came to the principal’s
office when called in and backed up their younger daughter’s stand.
You
know how time seems to slow to a crawl when you’re waiting for something? Well,
Gabby was waiting for two separate, but linked, amazing events on her distant
horizon. Time stopped. She’d stare at the clock sometimes wishing there were
someone she could point it out to. But that would have been just something else
for her classmates to mock her about so she remained mum.
Gabby
was still praying and she was still staring down at her socks when the new boy
passed her in the hallway. Neither noticed the other. That’s the way things go
sometimes.…
Trevor moved to Los Angeles with
his mom when she came south from Oakland to take care of his grandma. He could
have stayed in the Bay Area and finished up his last year of high school, but
he knew in a few months he’d be off to college. This was precious time and he
wanted to savor it. He wasn’t a mama’s boy, but he recognized his mother for
the amazing human being she was and a little inconvenience wasn’t going to
deter him.
His
girlfriend had been devastated, but Trevor knew that the same break was
inevitable. Soon, she would be off to the Sorbonne
and that would have been that.
Trevor
wasn’t deaf. He heard what his new classmates thought of him. He sort of
expected it. Part of his reasoning to move to Southern California was to get out
of his comfort zone. If this doesn’t sound like the ordinary thought process of
an average seventeen-year-old boy, there was a very good reason for that.
Trevor was not your average seventeen-year-old boy. Both his parents at first,
but now just his mom for the last seven years, had seen clear to that.
Trevor’s
annual “What I did on my summer vacation” theme paper at the beginning of each
school year had begun pretty much the exact same way since he was five: “This
year at Burning Man...” It was something his mom had negotiated with his
school’s principal to explain why Trevor always missed the first couple of days
of the new term. He always arrived tanned yet amenable to the restrictions of
public school, but Trevor had a faraway look in his deep, brown eyes that
nothing in the Default World could quell for weeks.
When his
parents divorced and his mom changed her name back to her maiden one, Trevor
made a decision. He didn’t want to offend either parent by choosing one name
over the other. The thing is, had he kept either of their surnames, he would
have been in Gabby’s homeroom. His chosen last name made it so that he was
stationed clear across campus.
Gabby
and Trevor had Trig’ (which neither of them could grasp) in the same classroom
in subsequent periods. But, much like those proverbial vessels of the sea,
Gabby dawdled in her art class and just beat the bell for math class by the
skin of her teeth. They remained star-crossed….
The acceptance letter from Berkeley
arrived on a Friday. Gabby celebrated by dyeing her hair that weekend the same
exact shocking shade of pink as Trevor’s. Their school handbook had not yet
been updated to restrict this particular fashion trend. But they never got to
compare hues.
Graduation
day came and graduation day went.
There’s a long-standing institution
at Burning Man, a theme camp that provides soul-mate matching. As Playadipity
(the word used to describe the serendipitous little moments that seem to occur
with miraculous regularity on the Playa)
will have it, Gabby and Trevor arrived there within moments of one another. As
they were filling out their paperwork on opposite sides of the tent, an
“employee” of the camp named Legend looked up.
Legend
spied Trevor in his left eye; he spied Gabby in his right. Without uttering a
single word, he slipped out from behind his desk and walked over to Trevor.
With one hand, Legend took Trevor’s paperwork away from him. He took Trevor by
the other hand, still silently.
Legend walked
Trevor over to where Gabby was squatting and then he took her paperwork away.
She looked up, startled for a split second, and was about to ask what she had
done wrong. Legend silenced her with a finger on her dry, questioning lips. He
took Gabby’s hand and placed it in Trevor’s trembling one.
It was then
and only then, that Legend spoke and all he said was “Go.” And they did.
(c) Brian Mazo, 2012 All Rights Reserved
Want to hear and see me read that story and some more? You can help may that happen: check out IndieGoGo for my campaign for the Rock 'n Rose Tour 2013 by clicking here.
Thanks, Brian
Thursday, February 28, 2013
Two weeks into Spring Training and so far it's one of the worst in recent memory for the Yankees. Yet another A-Rod fiasco (who knows how this latest PED scandal will shake out) that may take Francisco Cervelli down with him. The Yanks look like they're counting on the Cisco Kid to take a good portion of the catching duties this season; a fifty game suspension would put a rather large stumbling block in the path of that plan.
And while during the spring, everyone "feels great," there really has to be some concern over how a triumvirate of Yanks who are aged and coming back from major surgeries, Derek Jeter, CC Sabathia and Mariano Rivera, will respond when they are finally asked to kick it into actual game play mode. I am not a hand-wringer, worry-wart but the team is definitely counting on major contributions from that core of players and if they're not up to the task due injuries it definitely puts a pall on the 2013 campaign.
It's not just them either. Phil Hughes, who is a youngster all things considered, has a bulging disk in his back sustained in a play covering first base. No matter how it pans it does set him back getting ready for Opening Day so much so that Girardi has already been forced to say that it does make his prognostication of him being on the roster come April 1st "iffy." Now, generally you can get away with only four starting pitchers early in the season, you prefer not losing your #4 guy right off the bat.
Then there's Youkilis. He already feels like a "necessary evil" filling A-Rod's shoes to start the season - at the very least - and perhaps be the regular third-baseman for the majority, or all of this season, and he's already suffering a perhaps minor oblique issue, who knows? The line-up, sans last year's -- or really most years -- is lacking the power that crushed 245 homeruns last season. We already knew we were gone the big bats of Swisher, Ibanez, Martin, Chavez and Jones, but the biggest blow of the early "season" was Curtis Granderson having his arm fractured in his first appearance of the spring.
We were really counting on a repeat of his 40-plus HR bat, but he's out for ten weeks recovering - who knows how he comes back - and there's no quick fix on that front. His injury also messes up the Yanks' plan to flip-flop he and Brett Gardner in the center and leftfield outfield positions. The speedy Gardner will obviously start the season in center where he is better equipped - if you're one of those fans of the new statistics for measuring a player's worth - Gardner is one of the better outfielders in the game. But as Granderson will now lose the opportunity to try and learn to play the corner outfield position, one can only expect that upon his return he will re-take over center and move Gardner back to left.
Time to wrap the remaining players in bubble-wrap and to put the infamous "P" back up in the trainer's room. That was the scarlet letter the late George Steinbrenner put in his trainer's room, effectively notifying them that they were on "probation."
Okay, speaking of campaigns, I am still slowly plugging away at my campaign to bring my book, "A Rose by any Other Name," out on the road this spring. You can see that here and I could really use any support you can muster.
Thanks,
Brian
And while during the spring, everyone "feels great," there really has to be some concern over how a triumvirate of Yanks who are aged and coming back from major surgeries, Derek Jeter, CC Sabathia and Mariano Rivera, will respond when they are finally asked to kick it into actual game play mode. I am not a hand-wringer, worry-wart but the team is definitely counting on major contributions from that core of players and if they're not up to the task due injuries it definitely puts a pall on the 2013 campaign.
It's not just them either. Phil Hughes, who is a youngster all things considered, has a bulging disk in his back sustained in a play covering first base. No matter how it pans it does set him back getting ready for Opening Day so much so that Girardi has already been forced to say that it does make his prognostication of him being on the roster come April 1st "iffy." Now, generally you can get away with only four starting pitchers early in the season, you prefer not losing your #4 guy right off the bat.
Then there's Youkilis. He already feels like a "necessary evil" filling A-Rod's shoes to start the season - at the very least - and perhaps be the regular third-baseman for the majority, or all of this season, and he's already suffering a perhaps minor oblique issue, who knows? The line-up, sans last year's -- or really most years -- is lacking the power that crushed 245 homeruns last season. We already knew we were gone the big bats of Swisher, Ibanez, Martin, Chavez and Jones, but the biggest blow of the early "season" was Curtis Granderson having his arm fractured in his first appearance of the spring.
We were really counting on a repeat of his 40-plus HR bat, but he's out for ten weeks recovering - who knows how he comes back - and there's no quick fix on that front. His injury also messes up the Yanks' plan to flip-flop he and Brett Gardner in the center and leftfield outfield positions. The speedy Gardner will obviously start the season in center where he is better equipped - if you're one of those fans of the new statistics for measuring a player's worth - Gardner is one of the better outfielders in the game. But as Granderson will now lose the opportunity to try and learn to play the corner outfield position, one can only expect that upon his return he will re-take over center and move Gardner back to left.
Time to wrap the remaining players in bubble-wrap and to put the infamous "P" back up in the trainer's room. That was the scarlet letter the late George Steinbrenner put in his trainer's room, effectively notifying them that they were on "probation."
Okay, speaking of campaigns, I am still slowly plugging away at my campaign to bring my book, "A Rose by any Other Name," out on the road this spring. You can see that here and I could really use any support you can muster.
Thanks,
Brian
Monday, February 25, 2013
i hope this doesn't come off as whiny, but i just wanted to share some information on the pushing-the-rock-up-a-hill struggles of being an author these days and especially a self-published one.
i found out over the weekend that the bookstore closest to my home (and quite a good one) has shelf space for "local/self-published authors." huzzah! i thought -- that's me!
so i just went into the shop with a small bunch of my books in the bag on my shoulder and inquired as to how a local/self-published author gets his/her book on that shelf. i was directed to their website. oh, okay -- i wouldn't have to be as local as i am for that, but i'll play along...
so this is what i found out: they accept book submissions with a non-refundable $10 fee. if they accept your book, they will take 3 copies on consignment, paying a standard 60% back to the author. now, on my $14 book that's $8.40 p/copy back to me. sorry for all the math, i know this is a monday morning.
but now if you subtract the $10 fee plus the fact that each book costs me nearly $4.50 what this finally works out to if they sell my 3 books is 59-freakin'-cents per book. i feel a little like Mojo Nixon saying "Where the hell's my money?!" so you mean like 2 quarters and a nickel and four pennies for my book. yeah... great... thanks
the local coffee shop (now next door following the fire) has a program for local writers called coffee & books. they just changed their policy: it had previously been $100 non-refundable fee to submit for consideration. now their program for books like mine involves sending them 100 copies on consignment (although they claim industry standard is a 55% royalty) and an initial $699 1-year term cost. thanks, but um, no thanks...
i appreciate you reading this far: no fee...
thanks,
Brian
i found out over the weekend that the bookstore closest to my home (and quite a good one) has shelf space for "local/self-published authors." huzzah! i thought -- that's me!
so i just went into the shop with a small bunch of my books in the bag on my shoulder and inquired as to how a local/self-published author gets his/her book on that shelf. i was directed to their website. oh, okay -- i wouldn't have to be as local as i am for that, but i'll play along...
so this is what i found out: they accept book submissions with a non-refundable $10 fee. if they accept your book, they will take 3 copies on consignment, paying a standard 60% back to the author. now, on my $14 book that's $8.40 p/copy back to me. sorry for all the math, i know this is a monday morning.
but now if you subtract the $10 fee plus the fact that each book costs me nearly $4.50 what this finally works out to if they sell my 3 books is 59-freakin'-cents per book. i feel a little like Mojo Nixon saying "Where the hell's my money?!" so you mean like 2 quarters and a nickel and four pennies for my book. yeah... great... thanks
the local coffee shop (now next door following the fire) has a program for local writers called coffee & books. they just changed their policy: it had previously been $100 non-refundable fee to submit for consideration. now their program for books like mine involves sending them 100 copies on consignment (although they claim industry standard is a 55% royalty) and an initial $699 1-year term cost. thanks, but um, no thanks...
i appreciate you reading this far: no fee...
thanks,
Brian
Saturday, February 23, 2013
Well, if you were coming to this page in hopes of news regarding today's first Yankee spring training game, you might as well flip to Twitter as I'm not quite on-board with the MLB package yet. Any and all funds I have to spare are going toward self-promoting my book, "A Rose by any Other Name." Of course, the unexpected auto-subscription was insult to injury: "sure, I'd love it if I could, but..." was my conversation with the rather kind and apologizing Indian customer service rep' who handled my reverse charge yesterday.
So, I'm more than two weeks into an approximately six week IndieGoGo campaign and I guess I should have gone with KickStarter, or so I have been told. But we march on; that rock isn't going to push itself up that hill, now is it?
It's not lost on me at this time where I'm trying to raise money to get Rose out into the world, and I'm working on both editing what will eventually be my next book - and my first novel - "Live Fast! (Die Out of Town" and scribbling ideas and bits and pieces of what will be the next long-form piece I write. Tentatively entitled "Memory of the Stairs: An Arsonist's Confession" I am finally going to plumb my childhood as source material. Fire will be a major character in that book.
Here's a repeat posting of the video/story of what has become the popular favorite from "Rose" - the story for my grandpa, Izzy Hecht, entitled "Mustang Sally."
The running time is under eight minutes, so please take a look and a listen. Yes, I am working on bringing some higher quality video your way, but for the time being, this is the best I have.
If you would like to help me come to your city with Rose and read some of these stories in person, why-- I'd love to do that. So much so that I have set up just the place where you can aid me in that mission. Here's the link to my IndieGoGo campaign page. I need to average over a $100 a day from this point on to even come close to making my goal. So far, it's been only been "Hello, Wisconsin," but "Greetings, Los Angeles" and "What's up, Berkeley?" have a nice ring to 'em...
Thanks for your time,
Brian
So, I'm more than two weeks into an approximately six week IndieGoGo campaign and I guess I should have gone with KickStarter, or so I have been told. But we march on; that rock isn't going to push itself up that hill, now is it?
It's not lost on me at this time where I'm trying to raise money to get Rose out into the world, and I'm working on both editing what will eventually be my next book - and my first novel - "Live Fast! (Die Out of Town" and scribbling ideas and bits and pieces of what will be the next long-form piece I write. Tentatively entitled "Memory of the Stairs: An Arsonist's Confession" I am finally going to plumb my childhood as source material. Fire will be a major character in that book.
Here's a repeat posting of the video/story of what has become the popular favorite from "Rose" - the story for my grandpa, Izzy Hecht, entitled "Mustang Sally."
The running time is under eight minutes, so please take a look and a listen. Yes, I am working on bringing some higher quality video your way, but for the time being, this is the best I have.
If you would like to help me come to your city with Rose and read some of these stories in person, why-- I'd love to do that. So much so that I have set up just the place where you can aid me in that mission. Here's the link to my IndieGoGo campaign page. I need to average over a $100 a day from this point on to even come close to making my goal. So far, it's been only been "Hello, Wisconsin," but "Greetings, Los Angeles" and "What's up, Berkeley?" have a nice ring to 'em...
Thanks for your time,
Brian
Thursday, February 21, 2013
The Rock 'n Rose Spring Tour 2013: The "Still Hopeful" Department
But this was a short story and it flowed out onto the page and I thought little about it until another story burst free, nearly fully formed, and demanded space on a page. Before none too long, a theme had developed and I wrote the twenty-six tales that became my first book, "A Rose by any Other Name" although it took me a number of years to finally push this puppy out of the nest.
The book was released in April 2012, but immediately after that my time was demanded toward a greater goal of assisting a dear friend who had been diagnosed with a terrible disease and while I have been able through direct sales, Amazon and Kindle to put my stories in front of some sets of eyes, I hadn't had the opportunity to really present the book to the world.
With your help, I would like very much to be able to begin to do that this Winter.
What We Need & What You Get
I am looking to raise $3500.00 to help with the above stated goal. What I would like to do is to be able to afford to send copies of the book in to publications and websites for review in an attempt to spread the book beyond my own wingspan.Additionally and perhaps even more importantly, I would like to be able to take the book and myself on the road and present it to the public in personal appearance and readings/signings in some of the cities in which the tales take place: Los Angeles, San Francisco and New York first and foremost.
The advantages of first bringing "Rose" to those cities in which I have lived is that hopefully I have something of a built-in audience of friendly faces. But from a practical stand point, I will be able to keep the costs of the mini book tour minimal as I will have places to stay and venues at which I can perform.
But hopefully visits to those cities will permit me to be able to add more: Boise, Austin, Seattle, Tel Aviv? You're all on the list.
The funds would go to airfare but also for publicity to make those appearances worth while. The money would also permit me finally to purchase and submit copies of the book for review and PR purposes.
Perks of contribution will include:
* grateful acknowledgement in future print and electronic editions of "Rose"
* inscribed copies of "Rose"
* original, hand-written versions of the tales in "Rose"
* original, signed art-work by Meital from the publication of the tales in the Jerusalem Post Lite
* your name as a character in my upcoming work
* the grand prize: a lifelong promise that I will never use your name in any of my upcoming work.
The Impact
The world of self-publishing really is fantastic. Unlike my experiences in the world of film where there are so many cooks are in the kitchen, I was able to put "Rose" out into the world - warts 'n all - as I saw fit and in the manner of my own choosing. That said, getting the book into the hands of other people has been the ongoing challenge.Other Ways You Can Help
I know we get asked to contribute to campaigns such as this all the time and I am fully conscious of that fact. If you can help - great! I really appreciate it. If you cannot - great! I understand that fully as well, but if you could share this with friends who may wish to assist, I would really appreciate your help.If you would like to read some of the tales for free, go here: http://www.wattpad.com/user/BrianMazo
You can purchase a copy here: https://www.createspace.com/3527985
Thanks for either "coughing" or "squealing" ... or just scroll on to the next campaign. I sure do appreciate your help.
Brian
click HERE to go my IndieGoGo page
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